Maltese Falcon (film noir)

This movie review will discuss about the black and white film which is Maltese Falcon. This movie has used the Film noir theory. This theory has been used in long time ago and nowadays still many films has used this theory to make.


Film Noir was style of filmmaking characterized by such elements as cynical heroes, this genre was mostly used  in American crime dramas of the post-World War II era. According to French film critics, is called Film Noir. This movie has a lots of shadows and influenced by German Expressionism. Film Noir films are always having high contrast and low key lighting that create shadow. These films are always film at locations like small house and alley. The characteristics of  film noir which  includes alienation, disenchantment, pessimism, ambiguity, moral corruption, evil, guilt, desperation and paranoia. These films has a lot of plot twisting.

Synopsis

ThIs movie is starts from a woman named Ruth Wonderly which is cast by Brigid O’Shaughnessy who always looking for her sister. However, Brigid is just trying to change Sam. There is another scene that a rich man named Gutman who is trying to get a valuable things called “Maltese Falcon” from Cairo and Wilmer's help. The movie ends with Brigid fails to change Sam and Gutman fails to get the real Maltese Falcon.

Analysis

The film Maltese Falcon has lots of semantics of Film Noir films. One of it would be the shadows in the film. Many scenes from the film contains lots of shadows to create a mysterious environment (Archambault, 2015). For instance, The lighting foreshadows some kind of  danger, although the lighting on Sam Spade does not put the pressure on him. Some of the scenes also uses shadows to tell stories.

Also, the film has some camera angles in Film Noir films, which are the arresting angles and unusualangles. In the film, most of the scenes are shot in a tight frame, giving a feeling of claustrophobia which means fear of confined space. The further triggers moods such as panic and anxiety (Barbradozier, 2013). For example, when the camera moves to capture Sam Spade, it is placed in a certain angle which orients the viewer to see the character as if she’s looking up to Sam Spade, creating Spade’s image as more powerful and dominant. 

High contrast images and extreme close ups are used in most scenes of the film for a dark and mysterious effect. For example, it also had most of the scenes is set at outside and night, adding to the atmosphere. The outdoor scenes tended to be set in dark house or rainy streets, while the indoor scenes were very dimly lit, often by only one or two lamps, which results in scenes with  dim shadows. ( Carter McCoy, 2016)

In conclusion, Maltese Falcon has successfully show us that this theory can explain that what we need in this film. The consequences is many director also use this theory for their film.It defines itself through unique visual cues, experimental narratives, and antihero. With a little bit of plot twisting, the film noir style can always be applied in modern movies to create an inventive style of film.




References:
Barbradozier. (2013). Analysis of The Maltese Falson in the eyes of Huston. Retrieved from: https://barbradozier.wordpress.com/2013/03/08/the-untainted-falcon-an-analysis-of-the-maltese-falcon-in-the-eyes-of-john-huston/

Carter McCoy, 2016. In depth: The Maltese Falcon is classic film noir. Retrieved from: https://wm-hs.org/in-depth-the-maltese-falcon-is-classic-film-noir/


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